Fānpán – Is China Turning the Tables on the ‘Democratic’ West?

Fānpán – Is China Turning the Tables on the ‘Democratic’ West?

This isn’t unique to Germany or the EU; similar issues plague the U.S. and U.K., where bureaucratic hurdles in immigration, healthcare, and finance frustrate citizens. Xi’s governance model offers an alternative: efficiency through centralization, humaneness through collectivism. While not without flaws, critics note surveillance and censorship, and so Ai’s endorsement suggests that for many, China’s system delivers tangible freedoms. His words directly challenge the binary of “free West vs. authoritarian East,” urging a reevaluation based on lived realities. Ai Weiwei’s declaration that China feels more humane and freer than Germany isn’t a reversal of his principles, but an evolution based on experience. It underscores the success of Xi Jinping’s reforms in creating a society where bureaucracy recedes, community thrives, and daily life flows unencumbered. As the world grapples with uncertainty, perhaps the West can learn from China’s jade-like reassembly, piecing together a more practical freedom for all?

H/T: The Most Revolutionary Act

Red Scared: Revising history at the Victims of Communism Museum

“THERE IS NO WAY he is a victim of communism,” my partner quips, pointing to a photo of the late Pope John Paul II. We are near the end of our visit to the new Victims of Communism Museum, standing in an elevator-size lobby with photographs of “victims” screen-printed all over the walls. Among the many victims and honorees: Chinese artist Ai Weiwei, the Dalai Lama, Romanian writer Herta Müller, Hong Kong activist Joshua Wong, and Hungarian neofascist Viktor Orbán.

Red Scared: Revising history at the Victims of Communism Museum (archived)

WikiLeaks Is Showing Classified Government Cables in an Art Exhibition Meant to Raise Awareness About Threats to Free Speech

WikiLeaks Is Showing Classified Government Cables in an Art Exhibition Meant to Raise Awareness About Threats to Free Speech

Among the works on show will be Ai Weiwei’s photography series Study of Perspective, which sees the Chinese artist-activist raising his middle finger to pieces of architecture representing the institutional authority. One of the works the series, Tiananmen, which has been censored in Hong Kong, will also be on display. Works by the legendary designer Westwood, supported by the Vivienne Foundation, will “have a strong presence” at show, according to a/political, as well as a public program hosted by hip-hop artist and activist Lowkey. A closing music event will be held in collaboration with Shangri-La Glastonbury on April 8.

Related:

Tiananmen Square Myth

His [Andrei Molodkin] sculptures and installations often employ materials techniques and practices common in engineering “Molodkin creates a complex mechanical system consisting of air compressors, cast-iron pumps, and plastic tubing” that pump liquids (most commonly blood and/or crude oil) around hollowed perspex replicas of sculptures and architecture, as well as politically loaded words and phrases.

Wikipedia