Modern art was CIA ‘weapon’

For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko – as a weapon in the Cold War. In the manner of a Renaissance prince – except that it acted secretly – the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

Modern art was CIA ‘weapon’

Capitalism’s Court Jester: Slavoj Žižek

One of the most prominent intellectuals in the contemporary world was named to the list of the “Top 100 Global Thinkers” in Foreign Policy magazine in 2012. He shares this distinction with the likes of Dick Cheney, Recep Tayyip Erdoğan, Benjamin Netanyahu, and former Mossad director Meir Dagan. The theorist’s best idea—according to this well-known publication that is a virtual arm of the U.S. State Department—is that “the big revolution the left is waiting for will never come.”

Capitalism’s Court Jester: Slavoj Žižek

Related:

Upcoming: Gabriel Rockhill | Why Slavoj Žižek is Capitalism’s Court Jester (YouTube)

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The War and the Intellectuals: Randolph Bourne Vents His Animus Against War

[World War I] Pro-war statements and speeches—as well as more coercive measures—gradually captured American public discourse in 1917. Fairly quickly, those who rejected the rationales for United States participation in the war found themselves increasingly isolated. Liberals, intellectuals, and even many socialists soon supported American intervention. A youthful critic in his twenties, Randolph Bourne wrote a bitter essay in the intellectual magazine Seven Arts, lambasting his fellow intellectuals for lining up so readily behind the war effort.

The War and the Intellectuals