Don’t Blame Karl Marx for ‘Cultural Marxism’

Don’t Blame Karl Marx for ‘Cultural Marxism’

You might think that a history of cultural Marxism would start with Marx, but the poorly coiffed Prussian has almost nothing to do with this tale of insidious infiltration. Instead, the theory took off in the late 1990s due to speeches, essays, and books by William Lind, then with the Free Congress Foundation, and Patrick Buchanan, the firebrand conservative columnist, TV talking head, and sometime presidential candidate. (The idea, though not the name, was hatched earlier, in a 1992 monograph called “The New Dark Age: The Frankfurt School and Political Correctness.” It was written by a disciple of the noted conspiracy theorist Lyndon LaRouche.)

Related:

The CIA & the Frankfurt School’s Anti-Communism

Free Congress Foundation:

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Che Guevara: Socialism and man in Cuba

Dear compañero,

Though belatedly, I am completing these notes in the course of my trip through Africa, hoping in this way to keep my promise. I would like to do so by dealing with the theme set forth in the title above. I think it may be of interest to Uruguayan readers.

A common argument from the mouths of capitalist spokespeople, in the ideological struggle against socialism, is that socialism, or the period of building socialism into which we have entered, is characterized by the abolition of the individual for the sake of the state. I will not try to refute this argument solely on theoretical grounds but rather to establish the facts as they exist in Cuba and then add comments of a general nature. Let me begin by broadly sketching the history of our revolutionary struggle before and after the taking of power.

Che Guevara: Socialism and man in Cuba

Modern art was CIA ‘weapon’

For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko – as a weapon in the Cold War. In the manner of a Renaissance prince – except that it acted secretly – the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

Modern art was CIA ‘weapon’

The CIA, Universities, and Anti-Communist Marxism

On this week’s release of “On the Barricades,” host Maria Cernat speaks to the French-American writer, cultural critic, and activist, Gabriel Rockhill. Gabriel completed his graduate studies under the direction of Jacques Derrida, Luce Irigaray and Alain Badiou, and is now a professor of philosophy at Villanova University. Gabriel’s work in academia led him to a very close understanding of the bourgeois cultural and intellectual apparatus for its fundamental, historical role of bringing leftist thinking in line with the interests of the corporate elites and capitalist order. He wrote an article called “The CIA and the Frankfurt school’s anti-communism,” the content of which is the starting point inspiration for today’s discussion.

The CIA, Universities, and Anti-Communist Marxism