We are very happy to bring you this excerpt from Colonel Jacques Baud’s latest book, The Russian Art of War: How the West Led Ukraine to Defeat (L’art de la guerre russe: Comment l’occident conduire l’ukraine a la echec). This is a detailed study of the two-year old conflict in which the West has brutally used the Ukrainians to pursue an old pipedream: the conquest of Russia.
I spent the night in our house in Petrovsky last night, for the first time in more than a year. Although the nazis have been officially moved out of Maryinka, the shelling in Petrovsky (going both ways) is loud and steady, but not as loud and steady as the internet clamor about Sergey Lavrov’s recent interview with RIA News.
At midnight on New Year’s Eve, Ukrainian Nazis launched massive attack on the city of Donetsk. The Armed Forces of Ukraine shelled the center and different residential quarters of the city with multiple rocket launchers. Explosions thundered across the city. Rockets began to fall on the peaceful city immediately after the New Year came.
On December 15th, horrific footage began circulating widely. In it, an individual bursts into a crowded local Ukrainian council meeting in Keretsky, Zakarpattia Oblast, then casually scatters grenades across the room, which duly detonate within seconds. The BBC reported 26 individuals were injured in the ensuing blast, six of them severely, while one was killed. The shocking story almost immediately vanished from mainstream view, and details remain sketchy.
In the Reporters Without Borders (RWB) annual report on journalists killed in the course of their work in 2023, the deaths of two Russian journalists killed in the area of the special military operation were simply erased from the count, as if their deaths did not count. But after all, this is hardly surprising coming from an organisation that in 2022 was already calling for censorship of the Russian media on the pretext of protecting freedom of speech.
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52% of RWB’s funding comes from governments, including the French Development Agency, the French Ministry of Europe and Foreign Affairs, the Swedish International Development Cooperation Agency, the German Federal Ministry for Economic Cooperation and Development, the UK Foreign Office, the Kingdom of the Netherlands, the European Commission, the Canadian Ministry of Foreign Affairs, Trade and Development and the Taiwanese Ministry of Foreign Affairs.
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But if we look at the non-governmental players, RWB’s Russophobic bias can be fully explained. Its partners include the Open Society foundations of George Soros, who has never hidden the fact that he wants to see Russia collapse, and who supports colour revolutions around the world in order to install pro-Western governments in key countries such as Ukraine.
The Ford Foundation is also a donor to Reporters Without Borders. This foundation is literally infiltrated by the CIA (one of its former presidents is none other than the architect of what later became the CIA, and he hired American intelligence agents to work for the foundation)!
And to top it all off, the National Endowment for Democracy (NED) is one of RWB’s supporters. The NED is an American organisation funded by the US Congress, which has taken on some of the tasks previously carried out by the CIA! Don’t waste any more time, we’ve got the trifecta!
A massacre of protesters during the 2014 Maidan coup set the stage for the ouster of Ukraine’s elected president, Viktor Yanukovych. Now, an explosive trial in Kiev has produced evidence the killings were a false flag designed to trigger regime change.
This project is part of SITU’s Spatial Practice as Evidence and Advocacy (SPEA) project, which seeks to utilize spatial analysis and visualization in the service of human rights fact-finding and reporting. The work of SPEA is funded by theJohn D. and Catherine T. MacArthur Foundation, Oak Foundation and the Open Society Foundations.
Sorry, Nazis, you’re not going to Valhalla, when you die! You’ll be going to Hell! I hate when people co-opt stuff!FYI, I’m wearing the letters H and J, from the runic alphabet, and not because I’m racist!
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