The Thought for the Week Collection

LEAVING out of account the weak echoes of pre-Revolutionary ideologic systems, the only theory which has opposed Marxism in Soviet Russia these years is the Formalist theory of Art. The paradox consists in the fact that Russian Formalism connected itself closely with Russian Futurism, and that while the latter was capitulating politically before Communism, Formalism opposed Marxism with all its might theoretically.
Literature and Revolution: The Formalist School of Poetry and Marxism


For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko – as a weapon in the Cold War. In the manner of a Renaissance prince – except that it acted secretly – the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
Modern art was CIA ‘weapon’
In this new essay, John Pilger recalls the ‘electric’ opposition of writers and journalists to the coming war in the 1930s and investigates why today there is ‘a silence filled by a consensus of propaganda’ as the two greatest powers draw closer to conflict.
THERE IS A WAR COMING SHROUDED IN PROPAGANDA. IT WILL INVOLVE US. SPEAK UP
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